This is a guest post by Dr. Chris Worth. One of the topics raised in the question time after Benjamin Andréo’s first lecture on Dada and Surrealism was a really good one about whether, despite their avant-garde aspirations, many of the key figures in the movements continued to take a very male-oriented to art and
Amaleena Damlé’s The Becoming of the Body: Contemporary Women’s Writing in French has just been published in Edinburgh University Press’s Crosscurrents series. In an interview with Amaleena I explored some of the issues raised by the book. CHRIS WATKIN: To paint with very broad brushstrokes as we begin, into which debates is this book