film
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Michel Serres and film 4: Jean-Luc Godard’s Alphaville
This the fourth of four undergraduate lectures in which I explore how the thought of Michel Serres can inform film studies. I embarked upon the lectures as a speculative experiment, but in writing them I became convinced that there are rich resources in Serres’s thought for generating novel and engaging readings of films that often
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Michel Serres and film 2: Agnès Varda’s Sans toit ni loi
This the second of four undergraduate lectures in which I explore how the thought of Michel Serres can inform film studies. I embarked upon the lectures as a speculative experiment, but in writing them I became convinced that there are rich resources in Serres’s thought for generating novel and engaging readings of films that often
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Michel Serres and film 1: Agnès Varda’s Cléo de 5 à 7
This the first of four undergraduate lectures in which I explore how the thought of Michel Serres can inform film studies. I embarked upon the lectures as a speculative experiment, but in writing them I became convinced that there are rich resources in Serres’s thought for generating novel and engaging readings of films that often