One of the most striking motifs of ‘A Madman’s Diary’ is the anthropophagism that is first hinted at and then becomes a central obsession of the diarist. One of the first questions this raises is: “For what is eating people a metaphor in this text?”, assuming of course that it is to be read metaphorically.
Lu Xun’s ‘A Madman’s Diary’, one of the set texts for week on Chinese modernism in the modernism unit, raises the interesting question of the relation of madness to modernism per se. It is already becoming clear in the course that the discourse around the limits of rationality is central to many different trends within