Three Colors Blue

[vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ shape_dividers=””][vc_column][vc_column_text] This the third of four undergraduate lectures in which I explore how the thought of Michel Serres can inform film studies. I embarked upon the lectures as a speculative experiment, but in writing them I became convinced that there are rich resources in Serres’s thought for generating

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