My article “Michel Serres’ Great Story: From Biosemiotics to Econarratology” has just been published in SubStance. It is available from institutions with a subscription to Project Muse here.
In four key but as yet untranslated texts from 2001-2009, Michel Serres builds on his earlier biosemiotics with an econarratology he calls the ‘Great Story’ (Grand Récit) of our universe. Serres’ econarratology throws down a challenge to develop new ways of thinking the relation between nature and culture and between the human and the non-human. It also allows us to extend the powerful tool of narrative identity beyond its anthropocentric straitjacket into the area of ecology, but this requires a supplement from Paul Ricœur’s work on narrative to save it from a problematic internal inconsistency.
I have just uploaded a paper on Michel Serres to academia.edu. Here is the abstract:
This is an expanded version of a paper originally given at the English and Theatre Studies research seminar at Melbourne University in May 2015, and it retains its oral tone. My intention both for the original paper and for this expanded version is to provide a first introduction to the work and thought of Michel Serres. I discuss how Serres’s work has been received in the French-speaking and English-speaking worlds to date, briefly highlight the different areas in which his thought is making a decisive contribution today, and then offer reflections on what it is that characterises his writing as a whole. I finish by examining some of his recent thought in more detail, specifically his recent elaboration of an econarratology around the idea of the “Great Story” of the universe, opening the way, for the first time in history, to develop a truly universal humanism.